Ariadne Galleries

Head of Faunus
Period: Second century AD
Culture: Roman
Material: Marble
Dimensions: 17 cm H
 
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During the Roman period, the terms ‘satyr’ and ‘faun’ are generally used interchangeably and refer to rustic spirits of the countryside and woods. In Greek mythology and art, satyrs were represented as ithyphallic men with the ears and tail of a horse, but the Roman tradition saw them conflated with the goat-god Faunus, and they instead assume the ears, horns, legs and tail of a goat. Both satyrs and fauns were the close companions of Dionysus and Bacchus respectively, and thus participants in the drunken revelry that characterized the cult of the wine-god.


Early representations of the satyr in Greek art depict an ugly and ageing subject (Silenos), reflective of the wild and subversive nature of this hybrid creature. However, during the Late Classical period, a ‘humanization’ of the satyr occurs, with the savage features softened into a more youthful and graceful aspect. The present head is one such example of a Roman interpretation of the youthful satyr epitomized by the work of the celebrated fourth century BC Greek sculptor Praxiteles. His satyr anapauomenos (‘satyr at rest’), now lost, but known through Roman copies, reinvents the traditional image of the satyr, replacing the hybrid form with the lithe frame of a nude young male. He is distinguishable as a satyr only by the panther skin slung over his torso and by his long, bushy locks.


Similarly, the present head is picked out as a satyr or faun by his tumbling hair, long at the base of his neck, and by his impish expression. His childlike features retain something of the mischievous nature associated with these woodland creatures. Full-length statues often depict the satyr playing the flute, a common attribute of rustic deities, carrying wineskins or cavorting with animals and nymphs, and would likely have been commissioned by wealthy Romans to adorn their villas. Satyrs symbolize man’s connection to the natural world, fertility, playfulness and the inversion of social norms, themes central to important festivals in the Roman calendar, such as the Saturnalia.


Another example of a satyr head based on a Greek original is displayed at the National Museum of Naples, inv no. 6328.
 

Provenance

Private Collection, Switzerland, before 1985.
With Ariadne Galleries, 1985, old label.
Private Collection, North America, 1985-2014.